![]() I used the recording off his album, “The Freelance Years.” Also, on the recording, the rhythm section did a ramp up in the bass line in measure 4 – that has been omitted from these chord changes for teaching purposes, but you are welcome to follow the recording in that sense. You may hear some people add a diminished chord on the second half of the sixth measure, I have omitted that given that I didn’t hear the diminished chord on the head or in the soloing on the recording I worked off of. By plain, they didn’t use any turn arounds on the head. As always, listen to the rhythm/soloist for turnarounds. On the recording, you will hear a very “plain” blues during the first head – the changes below are the soloing changes and include turnarounds in measure 8 and measures 11 and 12. You can download the chords by clicking the download button underneath the PDF. Dominant sevenths are built off of the dominant (5th) degree of the scale for example: G is the fifth note of the C major scale, and D is the fifth note of the G major scale. These jazz chords are called dominant sevenths. Here are the chords outlined for all different instruments for Sonny Rollin’s Sonnymoon for Two. One of the most common chord symbols will look like G7, D7, B7, etc.
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